Poetry Blues: Back to Yeats
In the last few days, I've gone back to read The Collected Poems of William Butler Yeats. I am blue about the state of contemporary poetry as well as contemporary life. Yeats wrote not only of his times but of myth and legend. For me, he understood not only the mechanics and techniques of poetry, but also that there was magic involved.
Alas, as a poet and publisher, what I see around me is a "Balkanization" of the poetry world (divided into hostile groups). Different groups can't stand each other, and sometimes it gets personal. I think it was T.S. Eliot who wrote that when poetry wanders too far from sound and music, it loses its power.
I am not a neo-Formalist, nor an experimentalist, nor of any school. I believe you have to respect and know something about poetic traditions, practice them, and then go beyond to discover your own distinctive voice. However, I experience some contemporary poets as having a "tin ear," no sense for the language, and sometimes no apparent interest in thought or language itself.
Older poets (older than I by twenty years or more) have occasionally mentioned the sad state of contemporary poetry, sometimes saying things bemoaning, without explanation, "what has happened to poetry." They may be referring to the lack of interest of mainstream society in poetry, but I think some of them are talking about issues within the poetic community as well.
It is easy to think that your own time is uniquely awful, but perhaps what I should dispassionately conclude is that it has always been thus. Meanwhile, while I wait for enlightenment, I've settled down with the collected works of Yeats, and am enjoying his depth, variety, craft, music, and -- yes -- magic.
